Who is the father of karnan

One day, alone at the bank of a river in the early morning hours, a curious Kunti decides to test the power of one of the boons. She invokes Surya. Instantly the Sun God appears before her. Alarmed by his radiant appearance and his demand to have intercourse with her, she protests that she is not ready.

Surya replies that he has no choice as he cannot go against the wishes of Durvasa, fearing the fury of the short-tempered sage.

Kunti and Surya meet and straightaway a baby son is born wearing an irremovable armor and a pair of earrings. Afraid of the stigma of being an unwed mother, Kunti puts the baby in a basket and sets it afloat on the river.

Karna is found by Adhiratha, a charioteer in the service of the blind king of Hastinapura, Dhritarashtra, who is the father of the Kauravas. Adhiratha and his wife Radha are childless. They raise Karna as their own son. After a while, King Dhritarashtra hears that Adhiratha is bringing up a child. As the King at that time has no children of his own, he asks the charioteer to hand over the child Karna to him.

Thus Karna grows up at the court of Hastinapura where the Kauravas and Pandavas receive their training in the military arts. At the end of their training the martial art teachers of the Kauravas and Pandavas organize a tournament where their students can display their martial skills. Hearing Arjuna boast of his talents, Karna — the adopted child of a charioteer — challenges him to a duel. Karna is a talented archer. Therefore, an unexpressed reason for the refusal of the teachers to let Karna participate is is their fear that he may defeat their favorite pupil, the Pandava Arjuna.

Denied participation Karna feels thoroughly humiliated. Observing this Duryodhana there and then decides to crown Karna King of the country of Anga. This signals the beginning of a life-long enmity between Arjuna and Karna.

The enmity ends when Arjuna kills Karna on the battlefield on the 17th day of the Mahabharata war unaware of the fact that he has slain his older half-brother. The pre-war part of this all-night play focuses on the relationship between Karna and Ponnuruvi. Ponnuruvi — a princes and the daughter of the King of Kalinga — feels that she has married below her station. But he did not know this. A charioteer brought him up.

Karna was a great warrior and could match Arjuna in archery. But Karna's life went waste supporting evil of Duryodhana. Karna was known as "Daanveer Karna" means Karna believed in charity to the needy. He was a good friend with Duryodhan and for him only he fought with Pandavaas in Mahabharata. About his Birth, he was Kunti's son.

Kunti , the mother of Pandavas. The story behind his birth was a boon to Kunti from Rishi Durvaasa. Because Kunti was a sincere devotee ad Rishi was happy with her devotion, he said that she can call Suryadev anytime she wants. She once thought of testing this called Suryadev. Eventually Suryadev was in front of her as she chanted these words in her mind.

She was a great devotee of Lord Surya and so he asked her wish, which he would complete. After thinking for sometime she said, "I want a son who is graceful and strong like you, but I want my virginity to remain". Lord Surya said Tathastu and a small child was in front of her.

She didn't understand what to do now as she was not married and so couldn't tell about this child to anybody. So, she decided to throw the child. This child was found by a chariot driver who was childless and so he took the child to his home and raised him as his son.

This child grew up into a legend, Karna, a strong and honest man, who was good at heart. He was the pupil of Guru Dronacharya apart from the Pandavas. Points: 6. Karna in Mahabharata is equal to Arjun in all aspects, but the only thing is that he was in the bad company of Kauravas and took their side. Karna is very well known for his valour and for his charitable nature and so he is called Daana Karna. In fact, he is a great character in Mahabharata but he had a cursed life right from his birth who was discarded by his mother immediately after he was born.

Later he was cursed by his guru Parusuraam whom he cheats in the pretext that he is a brahmin. Even after he came to know that he was one of the Pandavas, he did not ditch kauravas.

Such a great character Karna was! Karna is believed to be the son of Aditya - the Sun god who gives Karna as a blessing to Kunti before her marriage. Sage Doorvasa who stays as a guest in the King's palace, was much pleased with Kunti's devotional service to him and tells her a mantra.

By reciting this mantra she could invoke the divine gods and get a son as a boon from them. So, for testing the mantra, she invokes Sun God who immediately appears in front of her and gives her Karna. But as Kunti was not married by that time, she discards the child keeping him in a basket and lets him go in the nearby river. And there after Karna - the son of Sun god and Kunti was founded by a charioteer by name Radhey who brings up Karna as his own child.

Radhey nourished him from childhood. Karna was son of Kunti and Surya. Kunti was unmarried mother of Karna. Karna was known as the greatest donor. Posted By: [Anonymous]. Karna is legendary character in Mahabharata. He was son of Kunti and Surya Dev. As she pleads with the kite to release the chick, Karnan comments that this is an everyday event and that it is ridiculous for the people to expect mercy from the kite. When her entreaties don't persuade the kite , the elderly woman curses the bird and says that someone will break its wings someday.

The scene is juxtaposed with what's happening in another part of the village — a contest where Karnan emerges victorious and lifts up the village sword. This hero, we're told, isn't one for pleading. In the epic, Karnan is stopped from shooting the eye of the revolving fish in a contest to win Draupadi's hand. She declares that she does not wish to marry a charioteer's son. In Karnan , the hero decisively chops a flying fish into two — not to win Draupadi's Rajisha Vijayan hand but to fulfil a village tradition.

She is already in love with him and celebrates the fact that he has pulled off the feat. In Mani Ratnam's Thalapathi , which was also a contemporary retelling of the Mahabharata , Karnan is called Surya Rajinikanth and his caste mainly becomes a factor when it comes to marrying a Brahmin woman. In cinema, caste has largely been portrayed as an issue when it comes to romantic relationships, with intercaste love being rejected by families.

However, Mari Selvaraj turns the gaze to a much wider spectrum, showing how a caste society crushes the individual at every step. When Karnan and the other young men from his village go for selection in the armed forces, we don't see the hero automatically pulsing ahead with his muscle strength as would have been the case in the average film.

The director shows us the struggle for them to even make it to that point, having had to wait from daybreak for a vehicle that would take them to the place where the selection was happening. Karnan manages to finish the race in the required time but the camera isn't just focused on him, it also shows us the desperation of those who did not make it. It's not because they lacked 'merit' but because they were pushed to a position of disadvantage even before the race could begin.

Just like Subbulaxmi Shobana as Draupadi of Thalapathi is disturbed by Surya's violence, Draupadi of Karnan also worries about the hot-headed man with whom she has fallen in love.

In the Mani Ratnam film, Subbulaxmi, who is on a bus, witnesses Surya beating up some goons on the road and is frightened. However, despite her fear, she confesses her feelings for him on the steps of the temple pond. In Karnan , Draupadi is scared when Karnan protests loudly on the bus, insisting that the driver stop at Podiyankulam.

When the bus drives on, he jumps off the moving vehicle, much to everyone's shock. While everyone else berates Karnan for his rash act, a shaken Draupadi lands a kiss on Karnan's head. At that moment, Karnan is sitting in front of a shallow, shrunken pond.

But the top angle of the camera shows us that it's in the shape of a heart. What was solemnised in the courtyard of the gods in Thalapathi doesn't last as Subbulaxmi chooses her father's caste pride over her love for Surya. In Karnan though, the romance lasts despite the modesty of where it was made official.

In the Mahabharata , the Pandavas had Lord Krishna as their guiding light. In Karnan , it is the fiery local deity Kaatu Pechi who becomes the hero's guiding light. As in Mari Selvaraj's first film Pariyerum Perumal , where the dog Karuppi meets a gruesome end and returns unexpectedly as a spirit symbolising a rebellion, Karnan's little sister — the child who dies at the beginning of the film — comes back as the goddess who validates the morality of Karnan's battle against the caste entrenched system.

Interestingly, although there are five men from Melur who can be interpreted as the Pandavas, the film does not dwell on them too much. The chief antagonist is a casteist IPS officer called Kannabiran Natarajan Subramaniam who cannot stomach the fact that the people of the village are not obsequious to his authority. Kannabiran is another name of Krishna, who in the epic justifies the actions of the Pandavas and the Kurukshetra war as one for righteousness.

But in Karnan , it is the village head Duryodhana GM Kumar and his people who fight the righteous battle. As the elderly man points out after a night of custodial torture, it is not merely the demand for a bus that angered the policeman, it is the village's aspirations that he wants to crush. He does not want them to name themselves after kings, to look him in the eye, touch him and speak as equals.

By rejecting ancient narratives that tell the story from majoritarian, mainstream perspectives, Mari Selvaraj inverts our ideas of heroes and villains, gods and demons, good and evil.